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Haris Ansari is a visionary designer known for crafting luxurious bridal and formal wear that blends timeless elegance with modern sophistication.

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Kundan Zari

Kundan Zari

๐Ÿงต Dress Details

The ensemble appears to be a traditional Pakistani/Indian formal outfit, likely intended for a wedding or grand event.

๐ŸŒŸ Fabric & Color

  • Color: Deep Mustard Yellow or Gold, often referred to as ‘Rani’ gold in traditional wear.

  • Fabric: The main garment looks like Satin Silk or Raw Silk due to its rich sheen and structured fall. The dupatta/shawl appears to be the same material.

๐Ÿ‘— Silhouette & Style

  • Garment: A long, full-sleeved Kameez (shirt/tunic) cut in a classic Peshwas or a long Kalidar style (a dress with many vertical panels), reaching down to the ankle.

  • Length: Floor-length.

  • Dupatta/Shawl: A long, flowing piece of fabric draped over the arm, serving as the matching shawl/veil. It has a significant train.

โœจ Embellishment & Workmanship

  • Work Style: The embroidery is heavily focused, giving the garment an opulent look. It appears to be traditional hand-embroidery.

  • Motifs: Floral and vine-like (creeper) patterns spread across the front of the shirt.

  • Technique: The work looks like a combination of:

    • Silver/White Threadwork: Possibly Tilla or Zari (metallic threads) in silver or antique white/cream.

    • Kundan/Sequins: Small embellishments, possibly silver kundan or diamante/crystals, are used to fill in the motifs and add sparkle.

    • Border: The hemline of the shirt and the borders of the dupatta are heavily finished with the same intricate work.

Disclaimer

Please note that slight variations in color and embellishment may occur due to lighting and hand-crafted detailing. Each piece is uniquely made to order.

Description

๐Ÿงต Dress Details

The ensemble appears to be a traditional Pakistani/Indian formal outfit, likely intended for a wedding or grand event.

๐ŸŒŸ Fabric & Color

  • Color: Deep Mustard Yellow or Gold, often referred to as ‘Rani’ gold in traditional wear.

  • Fabric: The main garment looks like Satin Silk or Raw Silk due to its rich sheen and structured fall. The dupatta/shawl appears to be the same material.

๐Ÿ‘— Silhouette & Style

  • Garment: A long, full-sleeved Kameez (shirt/tunic) cut in a classic Peshwas or a long Kalidar style (a dress with many vertical panels), reaching down to the ankle.

  • Length: Floor-length.

  • Dupatta/Shawl: A long, flowing piece of fabric draped over the arm, serving as the matching shawl/veil. It has a significant train.

โœจ Embellishment & Workmanship

  • Work Style: The embroidery is heavily focused, giving the garment an opulent look. It appears to be traditional hand-embroidery.

  • Motifs: Floral and vine-like (creeper) patterns spread across the front of the shirt.

  • Technique: The work looks like a combination of:

    • Silver/White Threadwork: Possibly Tilla or Zari (metallic threads) in silver or antique white/cream.

    • Kundan/Sequins: Small embellishments, possibly silver kundan or diamante/crystals, are used to fill in the motifs and add sparkle.

    • Border: The hemline of the shirt and the borders of the dupatta are heavily finished with the same intricate work.

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